Belgrade, Serbia
· Post-Punk / Indie / Post-Rock / Gothic / Electronic
About
Bones in Butter is a versatile Serbian project built around the songwriting of Milutin Krašević, pulling together post-punk, indie, gothic, and electronic influences into songs that don't sit still in one genre.
Krašević was born in Lucerne, Switzerland, to Yugoslav immigrant parents. Piano lessons at seven didn't take — he quit after a year — but his older sister's record collection did: the Beatles, Simon & Garfunkel, Sparks. A few years later he attended his first real concert, Electric Light Orchestra's Out of the Blue tour in Zurich, and became a devoted fan on the spot. Punk and new wave caught him at the same time — the Stranglers, Wire, Magazine, the Velvet Underground — and between the two, a fairly peculiar taste in music took hold.
He picked up his father's old guitar around then, taught himself the first chords by ear, and started writing his own songs — never properly learning to read music, always playing and singing by ear instead. In his late teens he started experimenting with analog synthesizers, drum machines, and electric guitars and, joined by his childhood friend Isak Levi on vocals, formed the short-lived but prolific basement project THE UNITED ALTERNATIVES. Then reality kicked in for the first time, and he shifted his focus to studies in linguistics, because you never know what life may or may not offer…
But the next opportunity to take up music was waiting just around the corner. With his good friend, guitarist Angelo Viel, he started his first official band KASUAL, gigging locally around a dozen times in Lucerne and Zurich and releasing an EP — a self-recorded CD that sold, by his own count, exactly zero copies.
Obviously, making a living from niche music in Switzerland was never really on the table, so Krašević built a career instead as an English and German translator. But the creative flame never went out: "I never stopped composing, experimenting and recording, generating new ideas," he says. "Making music is just an inseparable part of me, something I need to do to stay alive." During that time, he frequently played and recorded with his friend Angelo of KASUAL and Davor Radišić, an experienced guitarist and sound engineer who familiarized Krašević with the latest recording, mixing, and mastering techniques.
After relocating with his wife and son to Belgrade, Krašević finally gave the passion room to breathe, founding Bones in Butter as a solo project in 2019. Enlisting remote session musicians in Serbia, Italy, and Brazil, he released the project's first EP, Love or Fear, in 2020. Soon after, with a dozen new songs written and no shortage of ideas left, he found a permanent lineup within Belgrade's alternative scene: Luna Škopelja, Todor Živković, Dejan Škopelja, Tom Fedja Franklin, and Srdjan Popov, who together shaped the sound the band has now grown into.
Krašević typically hears a song's shape in his head before touching an instrument — he builds it out on synthesizers, loops, and samples, adds lyrics and a vocal line, then hands the basic track to the rhythm section before the rest of the band layers in harmonies and guitar. Writing on subjects as varied as romance, the successes and failures of relationships, corruption, politics, transhumanism, and dystopia, the band released its eclectic debut album, Songs for a Sane Society, in 2023.
That creative momentum then led to a one-album deal with Rexius Records for Cosmopolis (2024), recorded with drumming duties shared across three players. Since then, Bones in Butter has returned to independent, unsigned status, self-releasing new material with a fluid lineup continuing to grow around Krašević's core songwriting.
Current & recent lineup
Drums on Cosmopolis (2024) were shared across three drummers: Tom Fedja Franklin, Marko Milivojević, and Stefan Pejatović.
Discography
Full catalogue — including standalone singles released between records — is on Bandcamp and Spotify.
Second full-length. Drums shared across three drummers over the course of recording.
Debut full-length — fourteen tracks gathering singles written and released 2020–2023.
Bandcamp and Spotify links currently point to the artist's main pages — send per-release links if you'd like each row to deep-link to its exact page.
Music
A selection of tracks available as direct MP3 downloads.
Songs For A Sane Society
Cosmopolis
Love or Fear
Video
Music videos and other visual releases.
Zero Hour
Where Have All The Flowers Gone (arranged and performed by Bones in Butter)
Stop Dancing Now! (A doomsday story)
Her Cave
A Dystopian Love Song
Dumped
Demos
Early sketches and demo versions from 2022–2026, for anyone curious how the songs start out.
Rio (Demo)
Good To Me (Demo)
Monolith
No Time (Demo)
Death Of A Podcaster (Demo)
A Dystopian Love Song (Protomix)
The Voice
My Name Is Love (Demo)
VIELEN DANK (Demo)
In The Middle Of The Night
Press
such music leads rather than followsThe Big Takeover
a genre-less gemUnis Son
one of the best debut albums of the yearLT1KF
an absolute sonic adventure from start to finishMesmerized
a revelation of fun pop-rock musicwewriteaboutmusic.com / Cougar Microbes
such deft steps, such unique sonic visionDancing About Architecture
Music Is To Blame — read full piece →
The Sounds Won't Stop — read full piece →
darkstrudel — read full piece →
Euphony Blognet — read full piece →
Indie Dock Music Blog — read full piece →
Thoughts Words Action — read full piece →
Additional coverage & interviews: Punk Head · Lost in the Manor · EDM Rekords · Music & Entertainers · Berlin on Air · The Other Side Reviews. Full press kit available on request — info@bonesinbutter.com.
Blog
Coming soon — thoughts on new releases, behind-the-scenes notes, and whatever else feels worth sharing. Check back soon, or follow us on Instagram for updates.
Shop
Coming soon
CDs, vinyl, t-shirts, caps, and scarves are on the way. Check back here soon, or follow us on Instagram for the announcement.
Get in touch
For reviews, interviews, licensing, or anything else — reach out directly.
info@bonesinbutter.comSupport the music
Bones in Butter is fully independent — no label, no touring income. If you'd like to help keep new records coming, it's appreciated.